![]() The movie won numerous film critic and film festival awards and was nominated for the BAFTA Award for Best British Film, and won the Hugo Award for Best Dramatic Presentation in 2010. Moon was modestly budgeted and grossed just under $10 million worldwide, but was well-received by critics. A third installment, a graphic novel called Madi: Once Upon A Time in the Future, was released in 2020. ![]() A follow-up film containing an epilogue to the film's events, Mute, was released in 2018. The release was expanded to additional theatres in the United States on 10 July and to the United Kingdom on 17 July. Moon premiered at the 2009 Sundance Film Festival and was released in selected cinemas in New York and Los Angeles on 12 June 2009. Dominique McElligott, Kaya Scodelario, Benedict Wong, Matt Berry, and Malcolm Stewart also star. The film follows Sam Bell ( Sam Rockwell), a man who experiences a personal crisis as he nears the end of a three-year solitary stint mining helium-3 on the far side of the Moon. Moon may be dressed in familiar clothing, but it is a singular experience, a clever, darkly funny and genuinely moving journey into the nature of individuality.Moon is a 2009 science fiction drama film directed by Duncan Jones (in his directorial debut) and written by Nathan Parker from a story by Jones. But what it lacks in originality is mostly compensated for by the sheer audacity of its central performance and the careful economy of its direction. Parts of the film veer dangerously close to identical thematic elements in Steven Soderbergh's recent adaptation of Solaris, without being as emotionally potent. Which is not to say that Moon is without its problems the pacing is hardly consistent and Jones' reliance on Rockwell tends to undersell his direction. ![]() His performance is utterly mesmerizing, inhabiting the role so completely that it is impossible to imagine any other actor having the chutzpah to pull it off. In fact, it may be hard to spare a glance at the meticulously designed sets with your eyes glued to Rockwell for the duration of the picture. ![]() Familiar filmic concepts of the "clean future" and the "dirty future" are mixed together to create a unique atmosphere the milieu is suitably claustrophobic, the cramped quarters of the mining station serving the film's conceptual purposes while masking the shoestring budget. Suffice it to say that Jones admirably mixes together stock genre tropes, paying tribute to a number of classic science fiction features while retaining his own idiosyncratically dark vision. To say too much more about the plot would be to spoil its central conceit, and while I'm sure many reviewers will talk openly about it, I want to preserve the surprise if at all possible at least until the film gets its theatrical release this coming June. His only companion is the station computer, Gertie, a straight-up HAL homage that tantalizingly suggests how a culture informed by decades of watching 2001 might choose to design a companion robot. Sam Rockwell gives a truly remarkable performance as Sam Bell, a lunar miner who is nearing the end of his 3-year contract at a single-man mining outpost. Originally posted to, April 2009: Moon is an auspicious debut from Duncan Jones (née Zowie Bowie), a talented new director who happens to be the son of David Bowie (let me officially be the first person to predict that every review of this film in the mainstream press will have the tagline "SPACE ODDITY!").
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